PROGRAMME

Monday 6th April.
0930-1030 CA B414 Studio Theatre. Registration and Welcome

1030  Keynote.  Dr. Sarah Lightman. Building Bridges: Art, Life and Comics. 

1130 – Comics Creation  

Alexander James Pollard — The Precognitive Painting Programme. 

Daniel Goodbrey – How to Cheat at Comics – Digital Alternatives to Traditional Techniques for Comic Illustration. 

Leonie Sharrock – Memories of Story-Self and the Insides of Old Envelopes: the Making of a Collage-comic, ‘Unwritten’. 

1300  LUNCH 

1400 – Adaptation Practices 

Lena Lenny – Slovene Literature in Comics – Adaptation of Literary Classics. 

Simon Grennan – Rationalising Graphic Adaptation as a Method of Interrogating the Impact of French Theatre in Victorian London. 

Geraint D’Arcy – Making Theatre Technology Comics. 

1530 – Writing Practice 

Hailey Austin – Creating Commando

Brian Fagence – Constructing Entropy, Deconstructing Practice 

1630 END DAY 1 

Tuesday 7th April.
1000 – Registration Day 2. 

1030 – Esoteric Comics 

Barbara Chamberlin – Walking Wyrd: Comics, Collaboration and Cunning Folk. 

Lisa Kottas – Sight Beyond Sight: The Conscious Aesthetics of Jiba Molei Anderson’s The Horsemen. 

Martin Schwarzenbacher – The Epic of Doomed Creation: The Beyonders as Tokens of Cosmic Pessimism in Jonathan Hickman’s New Avengers. 

1230 – LUNCH 

1330 – Digital Materiality and Authenticity 

Giorgio Busi Rizzi – What We Talk About When We Talk About Experimental Digital Comics. 

Ernesto Priego – DIY Digital Comics Without Drawing: Craft, Collaboration and Materiality in the Digital Age. 

Damon Herd – Testing Autobiographical Comics. 

John Miers – Triumph or Compromise? Drawing from the biographies of John Hicklenton and Lindsay Cooper in order to conceptualise chronic disease. 

1500 PLENARY 

1530 SYMPOSIUM END. 

Programme is provisional please check back for updates.
For further information contact geraint.darcy@southwales.ac.uk or brian.fagence@southwales.ac.uk

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