Monday 6th April.
0930-1030 CA B414 Studio Theatre. Registration and Welcome.
1030 – Keynote. Dr. Sarah Lightman. Building Bridges: Art, Life and Comics.
1130 – Comics Creation
Alexander James Pollard — The Precognitive Painting Programme.
Daniel Goodbrey – How to Cheat at Comics – Digital Alternatives to Traditional Techniques for Comic Illustration.
Leonie Sharrock – Memories of Story-Self and the Insides of Old Envelopes: the Making of a Collage-comic, ‘Unwritten’.
1300 – LUNCH
1400 – Adaptation Practices
Lena Lenny – Slovene Literature in Comics – Adaptation of Literary Classics.
Simon Grennan – Rationalising Graphic Adaptation as a Method of Interrogating the Impact of French Theatre in Victorian London.
Geraint D’Arcy – Making Theatre Technology Comics.
1530 – Writing Practice
Hailey Austin – Creating Commando.
Brian Fagence – Constructing Entropy, Deconstructing Practice.
1630 END DAY 1
Tuesday 7th April.
1000 – Registration Day 2.
1030 – Esoteric Comics
Barbara Chamberlin – Walking Wyrd: Comics, Collaboration and Cunning Folk.
Lisa Kottas – Sight Beyond Sight: The Conscious Aesthetics of Jiba Molei Anderson’s The Horsemen.
Martin Schwarzenbacher – The Epic of Doomed Creation: The Beyonders as Tokens of Cosmic Pessimism in Jonathan Hickman’s New Avengers.
1230 – LUNCH
1330 – Digital Materiality and Authenticity
Giorgio Busi Rizzi – What We Talk About When We Talk About Experimental Digital Comics.
Ernesto Priego – DIY Digital Comics Without Drawing: Craft, Collaboration and Materiality in the Digital Age.
Damon Herd – Testing Autobiographical Comics.
John Miers – Triumph or Compromise? Drawing from the biographies of John Hicklenton and Lindsay Cooper in order to conceptualise chronic disease.
1530 SYMPOSIUM END.
Programme is provisional please check back for updates.
For further information contact firstname.lastname@example.org or email@example.com